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Atsumi Imamiya Vis

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*2009
39EEMasaki Omata, Masahiro Kosaka, Atsumi Imamiya: A pen-tablet-orientation-pointing method for multi-monitors. CHINZ 2009: 53-60
38EEMasaki Omata, Manabu Kajino, Atsumi Imamiya: A multi-level pressure-sensing two-handed interface with finger-mounted pressure sensors. Graphics Interface 2009: 199-202
2008
37EETao Lin, Akinobu Maejima, Shigeo Morishima, Atsumi Imamiya: Preliminary evaluation of the audience-driven movie. CHI Extended Abstracts 2008: 3273-3278
36EETao Lin, Atsumi Imamiya, Xiaoyang Mao: Using multiple data sources to get closer insights into user cost and task performance. Interacting with Computers 20(3): 364-374 (2008)
2007
35EEMasaki Omata, Kenji Matsumura, Atsumi Imamiya: A Pressure-Sensing Mouse Button for Multilevel Click and Drag. INTERACT (1) 2007: 434-446
2006
34EETao Lin, Atsumi Imamiya: Evaluating usability based on multimodal information: an empirical study. ICMI 2006: 364-371
33EETao Lin, Wanhua Hu, Atsumi Imamiya, Masaki Omata: Large Display Size Enhances User Experience in 3D Games. Smart Graphics 2006: 257-262
32EETao Lin, Atsumi Imamiya, Wanhua Hu, Masaki Omata: Combined User Physical, Physiological and Subjective Measures for Assessing User Cost. Universal Access in Ambient Intelligence Environments 2006: 304-316
31EETao Lin, Atsumi Imamiya, Wanhua Hu, Masaki Omata: Display Characteristics Affect Users' Emotional Arousal in 3D Games. Universal Access in Ambient Intelligence Environments 2006: 337-351
30EEWanhua Hu, Tao Lin, Kazuo Sakai, Atsumi Imamiya, Masaki Omata: Setup Consistent Visual Textures for Haptic Surfaces in a Virtual Reality World. Universal Access in Ambient Intelligence Environments 2006: 78-87
2005
29 Hisanori Masuda, Atsumi Imamiya, Gen Kitagata, Takuo Suganuma, Kentaro Go, Norio Shiratori: Effects of Encoding Bit Rates on User Level QoS for Video Streaming. EuroIMSA 2005: 41-46
28 Hisanori Masuda, Atsumi Imamiya, Gen Kitagata, Takuo Suganuma, Kentaro Go, Norio Shiratori: An analysis of encoding bit rates on mean opinion score and eye movements for video streaming. IADIS AC 2005: 401-404
27EEMasaki Omata, Masami Ishihara, Misa Grace Kwok, Atsumi Imamiya: Haptizing Wind on a Weather Map with Reactive Force and Vibration. INTERACT 2005: 18-29
26EETao Lin, Masaki Omata, Wanhua Hu, Atsumi Imamiya: Do physiological data relate to traditional usability indexes? OZCHI 2005
2004
25EED. Watanabe, Xiaoyang Mao, K. Ono, Atsumi Imamiya: Gaze-directed streamline seeding. APGV 2004: 170
24EEQiaohui Zhang, Kentaro Go, Atsumi Imamiya, Xiaoyang Mao: Robust object-identification from inaccurate recognition-based inputs. AVI 2004: 248-251
23EEShigefumi Yamamoto, Xiaoyang Mao, Atsumi Imamiya: Enhanced LIC Pencil Filter. CGIV 2004: 251-256
22EEXiaoyang Mao, Hiroki Kato, Atsumi Imamiya, Ken Anjyo: Sketch Interface Based Expressive Hairstyle Modelling and Rendering. Computer Graphics International 2004: 608-611
21EEQiaohui Zhang, Atsumi Imamiya, Kentaro Go, Xiaoyang Mao: Resolving ambiguities of a gaze and speech interface. ETRA 2004: 85-92
20EEQiaohui Zhang, Atsumi Imamiya, Kentaro Go, Xiaoyang Mao: A Gaze and Speech Multimodal Interface. ICDCS Workshops 2004: 208-214
19EEQiaohui Zhang, Atsumi Imamiya, Kentaro Go, Xiaoyang Mao: Overriding errors in a speech and gaze multimodal architecture. IUI 2004: 346-348
18EEZhaowu Luo, Atsumi Imamiya: Do Colors Affect Our Recognition Memory for Haptic Rough Surfaces?. International Conference on Computational Science 2004: 897-904
17EEShigefumi Yamamoto, Xiaoyang Mao, Atsumi Imamiya: Colored Pencil Filter with Custom Colors. Pacific Conference on Computer Graphics and Applications 2004: 329-338
16EEHisanori Masuda, Atsumi Imamiya: Design of a graphical history browser with Undo facility, and visual search analysis. Systems and Computers in Japan 35(12): 32-45 (2004)
2003
15EEMasaki Omata, Kentaro Go, Atsumi Imamiya: Augmented Reality Clipboard with the Twist-Information Presentation Method. AINA 2003: 392-399
14EEKentaro Go, Yasuaki Takamoto, John M. Carroll, Atsumi Imamiya, Hisanori Masuda: PRESPE: participatory requirements elicitation using scenarios and photo essays. CHI Extended Abstracts 2003: 780-781
13EEXiaoyang Mao, Toshikazu Suzuki, Atsumi Imamiya: AtelierM: a physically based interactive system for creating traditional marbling textures. GRAPHITE 2003: 79-86
12 Zhaowu Luo, Atsumi Imamiya: Color Presentation Mode Affects Human Haptic Memory for Rough Surfaces. IRI 2003: 345-353
11 Qiaohui Zhang, Atsumi Imamiya, Kentaro Go, Xiaoyang Mao: Designing a Robust Speech and Gaze Multimodal System for Diverse Users. IRI 2003: 354-361
10EEZhaowu Luo, Atsumi Imamiya: How do colors influence the haptic perception of textured surfaces?. Universal Access in the Information Society 2(2): 160-172 (2003)
2002
9EEXiaoyang Mao, Kouichi Kashio, Hiroyuki Kato, Atsumi Imamiya: Interactive Hairstyle Modeling Using a Sketching Interface. International Conference on Computational Science (2) 2002: 131-140
2001
8 Toshikazu Suzuki, Xiaoyang Mao, Atsumi Imamiya: Simulating Marbling with Computer Graphics. VIIP 2001: 208-213
2000
7 Kentaro Go, John M. Carroll, Atsumi Imamiya: Familyware. HOIT 2000: 125-140
6EEXiaoyang Mao, Makoto Kikukawa, Kouichi Kashio, Atsumi Imamiya: Automatic Generation of Hair Texture with Line Integral Convolution. IV 2000: 303-308
1998
5EEChii Meng, Motohiro Yasue, Atsumi Imamiya, Xiaoyang Mao: Visualizing Histories for Selective Undo and Redo. APCHI 1998: 459-464
4 Xiaoyang Mao, Lichan Hong, Arie E. Kaufman, Noboru Fujita, Makoto Kikukawa, Atsumi Imamiya: Multi-Granularity Noise for Curvilinear Grid LIC. Graphics Interface 1998: 193-200
3EEXiaoyang Mao, Yuji Hatanaka, Hidenori Higashida, Atsumi Imamiya: Image-guided streamline placement on curvilinear grid surfaces. IEEE Visualization 1998: 135-142
1997
2EEChunbo Zhou, Atsumi Imamiya: Object-based nonlinear undo model. COMPSAC 1997: 50-55
1 Chunbo Zhou, Atsumi Imamiya: Object-based Linear Undo model. INTERACT 1997: 252-259

Coauthor Index

1Ken Anjyo [22]
2John M. Carroll [7] [14]
3Noboru Fujita [4]
4Kentaro Go [7] [11] [14] [15] [19] [20] [21] [24] [28] [29]
5Yuji Hatanaka [3]
6Hidenori Higashida [3]
7Lichan Hong [4]
8Wanhua Hu [26] [30] [31] [32] [33]
9Masami Ishihara [27]
10Manabu Kajino [38]
11Kouichi Kashio [6] [9]
12Hiroki Kato [22]
13Hiroyuki Kato [9]
14Arie E. Kaufman [4]
15Makoto Kikukawa [4] [6]
16Gen Kitagata [28] [29]
17Masahiro Kosaka [39]
18Misa Grace Kwok [27]
19Tao Lin [26] [30] [31] [32] [33] [34] [36] [37]
20Zhaowu Luo [10] [12] [18]
21Akinobu Maejima [37]
22Xiaoyang Mao [3] [4] [5] [6] [8] [9] [11] [13] [17] [19] [20] [21] [22] [23] [24] [25] [36]
23Hisanori Masuda [14] [16] [28] [29]
24Kenji Matsumura [35]
25Chii Meng [5]
26Shigeo Morishima [37]
27Masaki Omata [15] [26] [27] [30] [31] [32] [33] [35] [38] [39]
28K. Ono [25]
29Kazuo Sakai [30]
30Norio Shiratori [28] [29]
31Takuo Suganuma [28] [29]
32Toshikazu Suzuki [8] [13]
33Yasuaki Takamoto [14]
34D. Watanabe [25]
35Shigefumi Yamamoto [17] [23]
36Motohiro Yasue [5]
37Qiaohui Zhang [11] [19] [20] [21] [24]
38Chunbo Zhou [1] [2]

Colors in the list of coauthors

Copyright © Tue Nov 3 08:52:44 2009 by Michael Ley (ley@uni-trier.de)