6. ISMIR 2005: London, UK

• Jin Ha Lee, J. Stephen Downie, Sally Jo Cunningham:
  Challenges in Cross-Cultural/Multilingual Music Information Seeking. 1-7
  
• Cynthia M. Grund:
  Music Information Retrieval, Memory and Culture: Some Philosohpical Remarks. 8-12
  
• Noris Mohd. Norowi, Shyamala Doraisamy, Rahmita Wirza O. K. Rahmat:
  Factors Affecting Automatic Genre Classification: An Investigation Incorporating Non-Western Musical Forms. 13-20
  
• Markus Schedl, Peter Knees, Gerhard Widmer:
  Discovering and Visualizing Prototypical Artists by Web-Based Co-Occurrence Analysis. 21-28
  
• Ian Knopke:
  Geospatial Location of Music and Sound Files for Music Information Retrieval. 29-33
  
• Thomas Lidy, Andreas Rauber:
  Evaluation of Feature Extractors and Psycho-Acoustic Transformations for Music Genre Classification. 34-41
  
• Cory McKay, Rebecca Fiebrink, Daniel McEnnis, Beinan Li, Ichiro Fujinaga:
  ACE: A Framework for Optimizing Music Classification. 42-49
  
• Koen Tanghe, Micheline Lesaffre, Sven Degroeve, Marc Leman, Bernard De Baets, Jean-Pierre Martens:
  Collecting Ground Truth Annotations for Drum Detection in Polyphonic Music. 50-57
  
• Gavin Wood, Simon O'Keefe:
  On Techniques for Content-Based Visual Annotation to Aid Intra-Track Music Navigation. 58-65
  
• Christopher Harte, Mark B. Sandler, Samer A. Abdallah, Emilia Gómez:
  Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations. 66-71
  
• Mika Kuuskankare, Mikael Laurson:
  Annotating Musical Scores in ENP. 72-76
  
• Perfecto Herrera, Òscar Celma, Jordi Massaguer, Pedro Cano, Emilia Gómez, Fabien Gouyon, Markus Koppenberger:
  MUCOSA: A Music Content Semantic Annotator. 77-83
  
• Shoichiro Saito, Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
  Specmurt Analysis of Multi-Pitch Music Signals with Adaptive Estimation of Common Harmonic Structure . 84-91
  
• Olivier Gillet, Gaël Richard:
  Drum Track Transcription of Polyphonic Music Using Noise Subspace Projection. 92-99
  
• Nick Collins:
  Using a Pitch Detector for Onset Detection. 100-106
  
• Parag Chordia:
  Segmentation and Recognition of Tabla Strokes. 107-114
  
• Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
  Harmonic-Temporal Clustering via Deterministic Annealing EM Algorithm for Audio Feature Extraction. 115-122
  
• Jenn Riley:
  Exploiting Musical Connections: A Proposal for Support of Work Relationships in a Digital Music Library. 123-129
  
• Ajay Kapur, Richard I. McWalter, George Tzanetakis:
  New Music Interfaces for Rhythm-Based Retrieval. 130-136
  
• Ioannis Karydis, Alexandros Nanopoulos, Apostolos N. Papadopoulos, Dimitrios Katsaros, Yannis Manolopoulos:
  Content-Based Music Information Retrieval in Wireless Ad-Hoc Networks. 137-144
  
• Richard Lobb, Tim Bell, David Bainbridge:
  Fast Capture of Sheet Music for an Agile Digital Music Library. 145-152
  
• Rainer Typke, Frans Wiering, Remco C. Veltkamp:
  A Survey of Music Information Retrieval Systems. 153-160
  
• Graham E. Poliner, Daniel P. W. Ellis:
  A Classification Approach to Melody Transcription. 161-166
  
• Emilios Cambouropoulos, Maxime Crochemore, Costas S. Iliopoulos, Manal Mohamed, Marie-France Sagot:
  A Pattern Extraction Algorithm for Abstract Melodic Representations that Allow Partial Overlapping of Intervallic Categories. 167-174
  
• Rui Pedro Paiva:
  On the Detection of Melody Notes in Polyphonic Audio. 175-182
  
• Wei-Ho Tsai, Hung-Ming Yu, Hsin-Min Wang:
  Query-By-Example Technique for Retrieving Cover Versions of Popular Songs with Similar Melodies. 183-190
  
• Olivier Lartillot:
  Efficient Extraction of Closed Motivic Patterns in Multi-Dimensional Symbolic Representations of Music. 191-198
  
• Norman H. Adams, Daniela Marquez, Gregory H. Wakefield:
  Iterative Deepening for Melody Alignment and Retrieval. 199-206
  
• Jeremy Pickens, Costas S. Iliopoulos:
  Markov Random Fields and Maximum Entropy Modeling for Music Information Retrieval. 207-214
  
• Bryan Pardo, Manan Sanghi:
  Polyphonic Musical Sequence Alignment for Database Search. 215-222
  
• Ning Hu, Roger B. Dannenberg:
  A Bootstrap Method for Training an Accurate Audio Segmenter. 223-229
  
• Pierre Roy, Jean-Julien Aucouturier, François Pachet, Anthony Beurivé:
  Exploiting the Tradeoff Between Precision and Cpu-Time to Speed Up Nearest Neighbor Search. 230-237
  
• Nancy Bertin, Alain de Cheveigné:
  Scalable Metadata and Quick Retrieval of Audio Signals. 238-244
  
• Charles L. Parker:
  Applications of Binary Classification and Adaptive Boosting to the Query-By-Humming Problem. 245-251
  
• Ming Li, Ronan Sleep:
  Genre Classification via an LZ78-Based String Kernel. 252-259
  
• Arthur Flexer, Elias Pampalk, Gerhard Widmer:
  Novelty Detection Based on Spectral Similarity of Songs. 260-263
  
• Richard Stenzel, Thomas Kamps:
  Improving Content-Based Similarity Measures by Training a Collaborative Model. 264-271
  
• Fabio Vignoli, Steffen Pauws:
  A Music Retrieval System Based on User Driven Similarity and Its Evaluation. 272-279
  
• David Meredith, Geraint A. Wiggins:
  Comparing Pitch Spelling Algorithms. 280-287
  
• Meinard Müller, Frank Kurth, Michael Clausen:
  Audio Matching via Chroma-Based Statistical Features. 288-295
  
• Ching-Hua Chuan, Elaine Chew:
  Fuzzy Analysis in Pitch-Class Determination for Polyphonic Audio Key Finding. 296-303
  
• Juan Pablo Bello, Jeremy Pickens:
  A Robust Mid-Level Representation for Harmonic Content in Music Signals. 304-311
  
• Jean-François Paiement, Douglas Eck, Samy Bengio:
  A Probabilistic Model for Chord Progressions. 312-319
  
• J. Stephen Downie, Kris West, Andreas F. Ehmann, Emmanuel Vincent:
  The 2005 Music Information retrieval Evaluation Exchange (MIREX 2005): Preliminary Overview. 320-323
  
• Slim Essid, Gaël Richard, Bertrand David:
  Inferring Efficient Hierarchical Taxonomies for MIR Tasks: Application to Musical Instruments. 324-328
  
• Hiromasa Fujihara, Tetsuro Kitahara, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
  Singer Identification Based on Accompaniment Sound Reduction and Reliable Frame Selection. 329-336
  
• Shankar Vembu, Stephan Baumann:
  Separation of Vocals from Polyphonic Audio Recordings . 337-344
  
• Norman Casagrande, Douglas Eck, Balázs Kégl:
  Frame-Level Audio Feature Extraction Using AdaBoost. 345-350
  
• Petri Toiviainen, Tuomas Eerola:
  Classification of Musical Metre with Autocorrelation and Discriminant Functions. 351-357
  
• Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
  ATTA: Automatic Time-Span Tree Analyzer Based on Extended GTTM. 358-365
  
• Roger B. Dannenberg:
  Toward Automated Holistic Beat Tracking, Music Analysis and Understanding. 366-373
  
• Kristoffer Jensen, Jieping Xu, Martin Zachariasen:
  Rhythm-Based Segmentation of Popular Chinese Music. 374-380
  
• Frank Kurth, Meinard Müller, David Damm, Christian Fremerey, Andreas Ribbrock, Michael Clausen:
  Syncplayer - An Advanced System for Multimodal Music Access. 381-388
  
• Eric J. Isaacson:
  What You See Is What You Get: on Visualizing Music. 389-395
  
• Fabian Mörchen, Alfred Ultsch, Mario Nöcker, Christian Stamm:
  Databionic Visualization of Music Collections According to Perceptual Distance. 396-403
  
• Masataka Goto, Takayuki Goto:
  Musicream: New Music Playback Interface for Streaming, Sticking, Sorting, and Recalling Musical Pieces. 404-411
  
• Jean-Julien Aucouturier, François Pachet:
  Ringomatic: A Real-Time Interactive Drummer Using Constraint-Satisfaction and Drum Sound Descriptors. 412-419
  
• Samer A. Abdallah, Katy Noland, Mark B. Sandler, Michael Casey, Christophe Rhodes:
  Theory and Evaluation of a Bayesian Music Structure Extractor. 420-425
  
• Xavier Amatriain, Jordi Massaguer, David Garcia, Ismael Mosquera:
  The CLAM Annotator: A Cross-Platform Audio Descriptors Editing Tool. 426-429
  
• Tim Bell, David Blizzard, Richard Green, David Bainbridge:
  Design of a Digital Music Stand. 430-433
  
• Stuart Bray, George Tzanetakis:
  Distributed Audio Feature Extraction for Music. 434-437
  
• J. Ashley Burgoyne, Lawrence K. Saul:
  Learning Harmonic Relationships in Digital Audio with Dirichlet-Based Hidden Markov Models. 438-443
  
• Giordano Ribeiro de Eulalio Cabral, François Pachet, Jean-Pierre Briot:
  Automatic X Traditional Descriptor Extraction: the Case of Chord Recognition. 444-449
  
• Margaret Cahill, Donncha Ó. Maidín:
  Melodic Similarity Algorithms -- Using Similarity Ratings for Development and Early Evaluation. 450-453
  
• Domenico Cantone, Salvatore Cristofaro, Simone Faro:
  On Tuning the (\delta, \alpha)-Sequential-Sampling Algorithm for \delta-Approximate Matching with Alpha-Bounded Gaps in Musical Sequences. 454-459
  
• Domenico Cantone, Salvatore Cristofaro, Simone Faro:
  Solving the (\delta, \alpha)-Approximate Matching Problem Under Transposition Invariance in Musical Sequences. 460-463
  
• Òscar Celma, Miquel Ramírez, Perfecto Herrera:
  Foafing the Music: A Music Recommendation System based on RSS Feeds and User Preferences. 464-467
  
• Wei Chai, Barry Vercoe:
  Detection of Key Change in Classical Piano Music. 468-473
  
• Sally Jo Cunningham, J. Stephen Downie, David Bainbridge:
  "The Pain, the Pain": Modelling Music Information Behavior and the Songs We Hate. 474-477
  
• Christophe Dalitz, Thomas Karsten:
  Using the Gamera Framework for Building a Lute Tablature Recognition System. 478-481
  
• Sven Degroeve, Koen Tanghe, Bernard De Baets, Marc Leman, Jean-Pierre Martens:
  A Simulated Annealing Optimization of Audio Features for Drum Classification. 482-487
  
• Ruth Dhanaraj, Beth Logan:
  Automatic Prediction of Hit Songs. 488-491
  
• Simon Dixon, Gerhard Widmer:
  MATCH: A Music Alignment Tool Chest. 492-497
  
• Peter Jan O. Doets, Reginald L. Lagendijk:
  Extracting Quality Parameters for Compressed Audio from Fingerprints. 498-503
  
• Douglas Eck, Norman Casagrande:
  Finding Meter in Music Using An Autocorrelation Phase Matrix and Shannon Entropy. 504-509
  
• Rebecca Fiebrink, Cory McKay, Ichiro Fujinaga:
  Combining D2K and JGAP for Efficient Feature Weighting for Classification Tasks in Music Information Retrieval. 510-513
  
• David Gerhard:
  Pitch Track Target Deviation in Natural Singing. 514-519
  
• Rob van Gulik, Fabio Vignoli:
  Visual Playlist Generation on the Artist Map. 520-523
  
• Peyman Heydarian, Joshua D. Reiss:
  The Persian Music and the Santur Instrument. 524-527
  
• Helge Homburg, Ingo Mierswa, Bülent Möller, Katharina Morik, Michael Wurst:
  A Benchmark Dataset for Audio Classification and Clustering. 528-531
  
• Toru Hosoya, Motoyuki Suzuki, Akinori Ito, Shozo Makino:
  Lyrics Recognition from a Singing Voice Based on Finite State Automaton for Music Information Retrieval. 532-535
  
• Xiao Hu, J. Stephen Downie, Kris West, Andreas F. Ehmann:
  Mining Music Reviews: Promising Preliminary Results. 536-539
  
• Özgür Izmirli:
  Tonal Similarity from Audio Using a Template Based Attractor Model. 540-545
  
• Jyh-Shing Roger Jang, Chao-Ling Hsu, Hong-Ru Lee:
  Continuous HMM and Its Enhancement for Singing/Humming Query Retrieval. 546-551
  
• Phillip B. Kirlin, Paul E. Utgoff:
  VOISE: Learning to Segregate Voices in Explicit and Implicit Polyphony. 552-557
  
• Tetsuro Kitahara, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
  Instrument Identification in Polyphonic Music: Feature Weighting with Mixed Sounds, Pitch-Dependent Timbre Modeling, and Use of Musical Context. 558-563
  
• Peter Knees, Markus Schedl, Gerhard Widmer:
  Multiple Lyrics Alignment: Automatic Retrieval of Song Lyrics. 564-569
  
• Catherine Lai, Beinan Li, Ichiro Fujinaga:
  Preservation Digitization of David Edelberg's Handel LP Collection: A Pilot Project. 570-575
  
• Aristomenis S. Lampropoulos, Paraskevi S. Lampropoulou, George A. Tsihrintzis:
  Musical Genre Classification Enhanced by Improved Source Separation Technique. 576-581
  
• Wei Liang, Shuwu Zhang, Bo Xu:
  A Hierarchical Approach for Audio Stream Segmentation and Classification. 582-585
  
• Wei Liang, Shuwu Zhang, Bo Xu:
  A Histogram Algorithm for Fast Audio Retrieval. 586-589
  
• Dominik Lübbers:
  SoniXplorer: Combining Visualization and Auralization for Content-Based Exploration of Music Collections. 590-593
  
• Michael I. Mandel, Dan Ellis:
  Song-Level Features and Support Vector Machines for Music Classification. 594-599
  
• Daniel McEnnis, Cory McKay, Ichiro Fujinaga, Philippe Depalle:
  jAudio: An Feature Extraction Library. 600-603
  
• Anders Meng, John Shawe-Taylor:
  An Investigation of Feature Models for Music Genre Classification Using the Support Vector Classifier. 604-609
  
• Annamaria Mesaros, Jaakko Astola:
  The Mel-Frequency Cepstral Coefficients in the Context of Singer Identification. 610-613
  
• J. Enrique Muñoz Expósito, S. Garcia-Galón, Nicolás Ruiz-Reyes, Pedro Vera-Candeas, F. Rivas-Peña:
  Speech/Music Discrimination Using a Single Warped LPC-Based Feature. 614-617
  
• Robert Neumayer, Michael Dittenbach, Andreas Rauber:
  PlaySOM and PocketSOMPlayer, Alternative Interfaces to Large Music Collections. 618-623
  
• Giovanna Neve, Nicola Orio:
  Experiments on Segmentation Techniques for Music Documents Indexing. 624-627
  
• Elias Pampalk, Arthur Flexer, Gerhard Widmer:
  Improvements of Audio-Based Music Similarity and Genre Classificaton. 628-633
  
• Elias Pampalk, Tim Pohle, Gerhard Widmer:
  Dynamic Playlist Generation Based on Skipping Behavior. 634-637
  
• Steffen Pauws, Sander van de Wijdeven:
  User Evaluation of a New Interactive Playlist Generation Concept. 638-643
  
• Geoffroy Peeters:
  Rhythm Classification Using Spectral Rhythm Patterns. 644-647
  
• Jeremy Pickens:
  Classifier Combination for Capturing Musical Variation. 648-651
  
• Aggelos Pikrakis, Sergios Theodoridis:
  A Novel HMM Approach to Melody Spotting in Raw Audio Recordings. 652-657
  
• Christopher Raphael:
  A Graphical Model for Recognizing Sung Melodies. 658-663
  
• Craig Stuart Sapp:
  Online Database of Scores in the Humdrum File Format. 664-665
  
• Nicolas Scaringella, Giorgio Zoia:
  On the Modeling of Time Information for Automatic Genre Recognition Systems in Audio Signals. 666-671
  
• Elliot Sinyor, Cory McKay, Rebecca Fiebrink, Daniel McEnnis, Ichiro Fujinaga:
  Beatbox Classification Using ACE. 672-675
  
• Robert Young Walser:
  Herding Folksongs. 676-679
  
• Kris West, Stephen Cox:
  Finding An Optimal Segmentation for Audio Genre Classification. 680-685
  
• Tillman Weyde, Christian Datzko:
  Efficient Melody Retrieval with Motif Contour Classes. 686-689
  
• Wen Xue, M. Sandler:
  A Partial Searching Algorithm and Its Application for Polyphonic Music Transcription. 690-695
  
• Yi Yu, Chiemi Watanabe, Kazuki Joe:
  Towards a Fast and Efficient Match Algorithm for Content-Based Music Retrieval on Acoustic Data. 696-701