2. CMMR 2004: Esbjerg, Denmark

Pitch, Melody Detection

• Elaine Chew, Xiaodan Wu:
  Separating Voices in Polyphonic Music: A Contig Mapping Approach. 1-20
  
• Rui Pedro Paiva, Teresa Mendes, Amílcar Cardoso:
  An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings. 21-40
  
• Harvey D. Thornburg, Randal J. Leistikow:
  A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies. 41-60
  

Rhythm, Tempo, Beat

• Bee Yong Chua, Guojun Lu:
  Determination of Perceptual Tempo of Music. 61-70
  
• Mario Malcangi:
  Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System. 71-82
  
• Kristoffer Jensen:
  A Causal Rhythm Grouping. 83-95
  

Music Generation, Knowledge

• Andrés Garay Acevedo:
  Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms. 96-106
  
• Juan García Escudero:
  Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy. 107-118
  
• Shankar Vembu, Stephan Baumann:
  A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems. 119-129
  

Music Performance, Rendering, Interface

• Christopher Frauenberger, Winfried Ritsch:
  Internet Archive of Electronic Music IAEM - internet Audio Rendering System iARS. 130-138
  
• Leonello Tarabella:
  Handel, a Free-Hands Gesture Recognition System. 139-148
  
• Lars Graugaard:
  Open and Closed Form in Interactive Music. 149-157
  
• Daryl H. Hepting, David Gerhard:
  Collaborative Computer-Aided Parameter Exploration for Music and Animation. 158-172
  

Music Scores, Synchronization

• David Meredith:
  Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music. 173-192
  
• Vlora Arifi, Michael Clausen, Frank Kurth, Meinard Müller:
  Score-PCM Music Synchronization Based on Extracted Score Parameters. 193-210
  
• Mevlut Evren Tekin, Christina Anagnostopoulou, Yo Tomita:
  Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing. 211-219
  

Synthesis, Timbre, Musical Playing

• Georg Essl:
  Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions. 220-231
  
• Julien Bensa, Danièle Dubois, Richard Kronland-Martinet, Sølvi Ystad:
  Perceptive and Cognitive Evaluation of a Piano Synthesis Model. 232-245
  
• Philippe Guillemain, Robin T. Helland, Richard Kronland-Martinet, Sølvi Ystad:
  The Clarinet Timbre as an Attribute of Expressiveness. 246-259
  

Music Representation, Retrieval

• Goffredo Haus, Alberto Pinto:
  A Graph Theoretic Approach to Melodic Similarity. 260-279
  
• Jae-Yong Won, Jae-Heon Lee, Kyong-I Ku, Jaehyun Park, Yoo-Sung Kim:
  A Content-Based Music Retrieval System Using Representative Melody Index from Music Databases. 280-294
  
• Marcus Pearce, Darrell Conklin, Geraint A. Wiggins:
  Methods for Combining Statistical Models of Music. 295-312
  
• Ningyan Zhong, Yi Zheng:
  Constraint-Based Melody Representation. 313-329
  

Music Analysis

• Goffredo Haus, Luca A. Ludovico:
  Music Segmentation: An XML-oriented Approach. 330-346
  
• Maarten Grachten, Josep Lluís Arcos, Ramon López de Mántaras:
  Evolutionary Optimization of Music Performance Annotation. 347-358
  
• Debopam Roy, Nagaraju Pappu, T. V. Prabhakar:
  Parichaykrama - An Exploratory Interface of Indian Classical Music Using Experiential Framework. 359-370